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Jean-Louis Daniel
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又叫做《巴黎颓废》，根据真实故事改编。鑫（王欣）和Chloe（Marie Février），是巴黎非常顶级的情色模特儿，以及巴黎的派对女孩。鑫和Chloe是性感年轻和奋发进取的。她们进入富有吸引魅力和快速发展的冒险世界。但是这种环境后面，卻隐藏着受到严重剥削和虐待。为了生存，她們堕入越插越深的超色情、毒品和卖淫的深渊。而Chloe滑落鱼自我毁灭的麻醉药品和女同性恋的处境。鑫被老板帕崔克强暴，又拒绝他的强爱而离开模特儿界，但为了医治祖母的病，就是杀人出卖肉体，做淫秽下贱工作也在所不惜，来维持她家人的经济来源。鑫就被称为来自中国的「上海丽人」。
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杰米·亚当斯
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The plot involves a woman who sets out a well-intentioned plan of bringing together her dysfunctional family in the wake of the family’s matriarch, her mother-in-law. She deceives her husband and others in to believe their mother left rules for the family to follow in the lead up to Christmas. Wanting to believe their mother left some guidance to help heal the wounds of her absence, the family comes together and follows the rules to the letter.
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泰勒·派瑞
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《Six Triple Eight》讲述了一个鼓舞人心且不可思议的真实故事，主角为第一支也是唯一一支在二战期间驻扎海外的勇敢的有色人种女子军团。面对种族歧视和性别歧视、陌生的土地和饱受战争蹂躏的国家，她们坚持不懈，在短短三个月内分拣了超过1700万封邮件，让美国士兵与故乡的家人和亲人重新建立了联系。让这些女性每天坚持下去的座右铭是她们自己创造的：“没邮件，士气低。”第6888中央邮政目录营的女性们不仅仅是为邮件的投递提供便利，她们也在传递希望。 第6888中央邮政目录营的故事一直被排除在历史书籍之外，被整个国家所忽视 — 直到现在。2022年3月14日，乔·拜登总统签署了法案，授予这些女性国会的最高荣誉 — 国会金质奖章。
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彼特·麦基·本斯
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Golden Bear winner Peter Mackie Burns has started shooting his London-set debut feature Daphne, production company The Bureau has revealed. Emily Beecham [pictured] - who features in the cast of Berlinale opening film Hail, Caesar! - plays the titular Daphne, a young Londoner with a frenetic lifestyle who decides she needs to change her life after witnessing a violent robbery. The Bureau producers Tristan Goligher and Valentina Brazzini developed the project in-house. The BFI and Creative Scotland are the main financiers of the film, together with The Bureau. The company’s Paris-based sister company, The Bureau Sales, is handling international rights. Mackie Burns won the Golden Bear for best short film in 2005 for Milk, about a girl trying to bathe her grandmother. Nico Mensinga wrote the screenplay for Daphne in his second collaboration with Mackie Burns after the short Happy Birthday To Me, also starring Beecham. The Daphne shoot kicks-off amid a high-profile year for The Bureau following the success of Andrew Haigh’s 45 Years, which won two Silver Bears for the lead performances of Charlotte Rampling and Tom Courtenay in Berlin last year, with Rampling also receiving an Oscar nomination, and is up for Outstanding British Film at tonight’s Baftas. “Peter Mackie Burns has made some visceral performance driven shorts including the award-winning Milk,” said Lizzie Francke, BFI senior production and development executive. “It is great to be able to support him on the next stage of his film career
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克拉伦斯·布朗
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When song-and-dance man Harry Van returns from World War I, he finds work hard to come by. His greatest success comes as straight man in a phony vaudeville mind-reading act with the tipsy Madame Zulieka. While on tour in Omaha he meets acrobat Irene Fellara, and they have a brief romance. Twenty years later while Harry is on tour in Europe with a troupe of leggy blonde dancers, his train is stopped at the Swiss border and he finds himself stranded in the Alps in anticipation of World War II hostilities. Harry and his chorines take refuge in an Alpine hotel with a group of disparate travelers who are also marooned there. Among them are an American pacifist, British newlyweds, a cancer researcher, a German munitions manufacturer, and a beautiful blonde expatriate Russian aristocrat who looks suspiciously like the Irene of two decades earlier.
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本尼托·萨姆布拉诺
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In a small town located in the island of Mallorca, Anna and Marina, two sisters who were separated when they were teenagers, meet again to sell a bakery they’ve inherited from a mysterious woman they know nothing about. The two sisters have led very different lives. Anna has barely left the island and is unhappily married to a man she no longer loves. Marina travels the world working as a doctor for an NGO. As the sisters try to uncover the secrets hidden behind their enigmatic benefactor and her property, they are forced to confront old family disputes and make up for lost time.
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何塞·帕迪里亚
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1976年6月27日，四人劫持了一架法航航班。航班计划从特拉维夫飞往巴黎，劫机者中有两名为巴勒斯坦人民解放阵线(PFLP)成员，另外两名德国人归属于德国左翼极端组织Revolutionary Cells。他们劫持了上百名人质（主要为以色列人），并持续了整整一周时间。他们提出的主要要求是释放40名被囚禁的巴勒斯坦恐怖分子及武装人员。这部电影重现了飞机降落在恩德培后发生的故事，四位劫机者于此收到了乌干达独裁者伊迪·阿明(Idi Amin)的支持。该片根据最新研究，对劫机经过给出了自己的版本，尤其是关于非犹太人人质的释放过程。同时，影片详细地描述了以色列政府是如何凭借其安全突击队武力终结了此次挟持事件。
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奥逊·威尔斯
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1970 年，传奇导演奥森·威尔斯（《公民凯恩》）开始着手拍摄新片，参演演员阵容也十分豪华，包括约翰·休斯顿、彼得·博格丹诺维奇、苏珊·斯塔丝伯格和威尔斯晚年的合作伙伴奥雅·柯达，而该片最终成为他的遗作。但受资金问题困扰，最终制作过程止步于 1976 年，并很快在行业内变得声名狼藉，无法完成也无法发布。威尔斯死后，一千多个胶卷在巴黎尘封 30 年，直到 2017 年 3 月，制片人弗兰克·马歇尔（曾在《风》初期拍摄期间担任制作经理）和菲利普·强恩·雷沙带头完成了威尔斯的愿景。 《风的另一边》采用了奥斯卡获奖作曲家米歇尔·勒格朗（《瑟堡的雨伞》）的新配乐，并经过包括奥斯卡获奖剪辑师鲍勃·穆拉夫斯基（《拆弹部队》）在内的技术团队的剪辑，讲述了著名电影制作人 J·J·“杰克”·汉纳福特（休斯顿饰演）的故事，他在欧洲流浪数年后重回好莱坞，准备推出革新性的影片，宣布复出。威尔斯的遗作讽刺了当时的经典电影工作室体系和想要打破电影业旧格局的新机构，既是距今已久的电影制作史的迷人缩影，也是出自导演大师之手的一部备受期待的“新”作。