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安德鲁·鲍泽
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Onyx joins a group of fellow occultists to attend a dark ritual at the mansion of their idol, Bartok. Suspecting Bartok’s nefarious intentions, Onyx is suddenly immersed in a world of monsters, mystery, and mayhem. 源自:https://festival.sundance.org/program/film/638a1755d406b222a0f2cab2
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特伦斯·杨
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英国政府派007邦德(肖恩·康纳利 Sean Connery 饰)前往加勒比海调查一桩情报人员被杀案件,007几经调查,推测死者应该与蟹礁岛上的诺博士有关。诺博士在这个神秘的小岛上正进行着不为人知的阴谋计划,紧锣密鼓进行一项将要统治世界的科学实验。双方开始了斗智斗勇的战 争,诺博士派来了女间谍,企图监测007的一举一动乘机将其制服,不料反被007识破诡计。而渔民库洛及潜水员莱特(乌苏拉·安德丝 Ursula Andress 饰)成为了007的得力助手,然而,诺博士对007此行早有准备,007与美女助手陷入重重困境。眼看007就要葬身荒岛,事情却来了惊天逆转。
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特伦斯·杨
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英国政府派007邦德(肖恩·康纳利 Sean Connery 饰)前往加勒比海调查一桩情报人员被杀案件,007几经调查,推测死者应该与蟹礁岛上的诺博士有关。诺博士在这个神秘的小岛上正进行着不为人知的阴谋计划,紧锣密鼓进行一项将要统治世界的科学实验。双方开始了斗智斗勇的战 争,诺博士派来了女间谍,企图监测007的一举一动乘机将其制服,不料反被007识破诡计。而渔民库洛及潜水员莱特(乌苏拉·安德丝 Ursula Andress 饰)成为了007的得力助手,然而,诺博士对007此行早有准备,007与美女助手陷入重重困境。眼看007就要葬身荒岛,事情却来了惊天逆转。
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安德列·塞库拉
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8个身份不同且互不相识的陌生人在同一时间醒来,发觉自己身处在一个立方体形状的房间内,没有人记得他们是怎么来到这的,也没有人知晓自己身处何方。几个人经过调查发现,立方体的上下左右四个面各有一道门,联通着另外一处相同的立方体,而不同的只是各个房间内的机关陷阱。整个建筑的结构 仿佛一个布满危机的魔方大厦,并且充斥着现代科学难解的超自然现象,8人历尽千难万险,陆续有人横遭不测,究竟谁才能从噩梦中挣脱? 本片是小成本高口碑加拿大科幻惊悚片《立方体》(又名异次元杀阵)时隔四年后的续集,由好莱坞B级片王者狮门影业制作发行。影片延续了前代的故事架构,并进一步的引入了四维空间的概念,使得电影整体风格更加抽象和奇特。
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罗杰·克里斯蒂安
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人类实施月球登陆科研计划将近半年时间,驻月球表面的太空站上,队长杰拉德·布劳什曼(克里斯蒂安·斯莱特 Christian Slater 饰)率领兰斯·克劳斯(布兰登·费尔 Brendan Fehr 饰)、艾娃·卡梅隆(艾米·梅蒂索 Amy Matysio 饰)和布鲁斯·约翰斯(迈克·泰瑞尔特 Michael Therriault 饰)日复一日推进他们的科研工作。这一日,强烈的太空风暴突袭月球,太空战遭到陨石强烈打击,通讯设备遭到损毁,这支四人科研小组与地球失去了联系。风暴过后,队长命令检查受损情况,并且带回一枚陨石样本。他们惊讶地发现,陨石上竟然附着了神秘生物。 恶梦就此拉开序幕,、外星恶魔在孤岛月球对无助的地球人展开残酷杀戮……
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路易·德吕克
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在《狂热》这部影片里,平民社会的描写代替了对心理和社交生活的描写。影片叙述马赛一家小旅店的女主人,在上陆投宿的水手们中间发现了自己从前的情人;一场争吵由此爆发,结果造成凶杀。这部影片在展示人物及剧情上可说是一种新的风格的范例,这种风格并不是一种专门注重华美形式的毫无意义的风格,而是一种既具体而又直接、真实、符合于内容、并由内容来决定的风格。德吕克所以属于法国电影的伟大自然主义传统,就是因为他具有这种风格,而不是由于他所选择的剧情环境。他的这种倾向,从他始终想在画面里把人物同背景和剧情结合起来一点上,也可以看出。在《狂热》这部影片里,德吕克虽然没有采用卢米埃尔的摄影方法,但却发明了一种使远景与近景同样清楚的方法,这种方法有人常认为是奥逊·威尔斯、格里格·托朗或威廉·惠勒所发明,实际却应该归功于德吕克。 影片《狂热》赋予各种人物以恰如其分的性格,使海港景色具有丰富的诗意,并且还利用了追叙的笔法。德吕克的这种表现方法有一部分是从英斯学来的,但他把英斯的经验融会改进,使其达到更完美的地步。另一方面,格里菲斯的影片《被摧残的花朵》给予德吕克的影响却没有产生良好的效果,那些泥塑的佛像、银白色的玫瑰花,以及那个化妆得很坏的东方妇女,使这部影片第二部分的优美感大为减色。 《狂热》一片摄制费用虽然很少,却是一部成功的作品。可是它的作者以后却未能实践他的诺言。他和穆西纳克曾创办了一个独立而富于斗争性的影评期刊,名叫《电影杂志》,后因资金困难不得不停止出版。他在拍摄了最后一部作品《洪水》以后,就溘然长逝,享年才32岁。他留给后世很多有关影评方面的著作,但在电影作品方面,可以说他还没有完成序言,就告死去,这对电影界来说,实是一莫大的损失。
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罗曼·加夫拉斯
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After the death of his youngest brother following an alleged police altercation, Abdel (Dali Benssalah) is called back from the frontline to find his family torn apart. Caught between his younger brother Karim's (Sami Slimane) desire for revenge and the criminal dealings of his older brother Moktar (Ouassini Embarek), he struggles to calm the rising tensions. As the situation escalates, their community ATHENA is transformed into a fortress under siege, becoming a scene of tragedy for both the family and beyond… For his third feature, director Romain Gavras delivers an immersive modern tragedy co-written by Ladj Ly and Elias Belkeddar. Starring: Dali Benssalah (Abdel), Sami Slimane (Karim), Anthony Bajon (Jérôme), Ouassini Embarek (Moktar), Alexis Manenti (Sébastien) Watch ATHENA, coming to Netflix September 23.
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John Douglas,罗伯特·克拉莫
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"A many-faceted portrait of those individuals who sought radical solutions to social problems in the United States during the 1960s and 1970s. It cuts back and forth between six major story lines and more than fifty characters, and across a vast landscape, to explore the lifestyles and attitudes of the American left who faced both personal and hhistorical transitions in the period following the Vietnam War."
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艾什莉·麦肯齐
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Star, a suicidal teen now too old for foster care, develops a candid rapport with An, a student from Shanghai who is assigned to watch her while she is in hospital. A nightly exchange of secrets, text messages and possessions quickly expands the boundaries of their relationship, altering their inner chemistry. Gilded by a soundscape that interweaves work by emerging and pioneering electronic musicians, Queens of the Qing Dynasty is an offbeat ode to neurodiversity and genderqueer individuals who refuse to conform. Director Ashley McKenzie’s blend of formalism and gritty realism does not fail to surprise and treats the audience to flashes of visual and conceptual poetry. Her cast is entirely composed of first-time actors who convincingly convey how unique every individual is, both in how they see the world and how they relate to others. Ziyin Zheng in the role of An graciously embodies a mix of idiosyncrasy and frankness that makes them an ideal confidante for Star (Sarah Walker). They have what it takes to be on the receiving end of the scrutinising gaze of Star, who sees through conventions and never ceases to be amazed at life’s bewildering events. Veering on slapstick, Walker’s performance will not go unnoticed.
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卡勒姆·伯恩
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August 1944. With the American Eighth Air Force poised to strike over Nazi Germany, British Intelligence learns that they could be flying into a deadly trap. With only hours to spare, Flight Lieutenant Edward Barnes must fly a life and death mission over Berlin in his unarmed Spitfire to obtain photographic evidence and save the lives of 1200 men.
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Jean-Daniel Pollet,Volker Schlöndorff
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内详
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导演是新浪潮导演中不太为人熟知的让·丹尼尔·波莱(Jean-Daniel Pollet)。上世纪50年代末期,波莱被认为是法国新浪潮诸子中最有才能的一个,波莱虽然比察布罗尔、戈达、特吕福、里维尔还年轻,但是在他们的光芒笼罩之下,波莱就没那么惹人注目,但他被誉为最善于捕捉普通人情感的导演。生于里尔,波莱大学时代学的是哲学,在看了约翰·福特(John Ford)的《蓬门今始为君开》(The Quiet Man)之后,深受震动,并迅速决定改学电影。1957年,时年27岁正在服兵役的波莱在法国军方电影部学习电影技术。稍后,他成为大导演杜其维(Julien Duvivier)的助手,拍摄费尔南德尔(Fernandel)主演的系列片《穿雨衣的男人》(The Man In The Raincoat)。这个工作对波莱来说,“学到了应该做的事情”。他和他同时代的年轻电影人一样,正在努力打破法国电影传统。有一次他在巴黎郊区的一个舞厅拍摄的时候,波莱认识了克劳德·迈奇(Claude Melki),一个有点矮小、带点自卑、年轻的裁缝学徒。可是在迈奇身上,波莱发现了他个性的另一面。他决定拍摄他的首部电影,一部名为《只要酒醉不醒》(Pourvu Qu'on Ait L'ivresse,1958)的短片,迈奇首次在电影里出演,扮演一个试图在舞厅把妹的委琐男,电影混杂纪录片、剧情片多种元素。这是波莱和迈奇合作的6部短片之一,这是他们多年合作的开始,迈奇获得法国基顿之称。对于他们的合作,波莱说:“他为我做任何事情,他的谈吐,他的舞技,他很有天分。然而离开了我,他就完全没有发挥的余地,我于他就像他的父亲一样。” 1963年,在着手筹拍长片之前,波莱拍摄了《地中海》(Méditerranée),一部45分钟16mm的影片,改编自作家菲利普·索勒斯(Philippe Sollers)一篇文章,波莱想拍摄一部“叙事电影,但是可以游弋于电影和小说之间,并将文字和影象联系起来”。这部电影环绕地中海拍摄了4个月,展示了沿途的风土人情,花了3年时间剪辑,确立了波莱“电影诗人”的称誉,被评论家认为是“最具形的抽象影像家”。
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帕特里斯·夏侯
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简(帕斯卡·格里高利 Pascal Greggory 饰)非常庆幸自己能够娶到加布里埃尔(伊莎贝尔·于佩尔 Isabelle Huppert 饰)作为自己的妻子,简举手投足之间所展现出来的气质,即便在两人已经结婚许久许久之后依然深深的吸引着简的注意。 一天,当简像往常一样回到家中时,发现加布里埃尔不见了。在桌子上,简看到了加布里埃尔留给他的一封信,让简感到震惊的是,在信里,加布里埃尔坦承自己在和他结婚短短半年之后就已经不再爱他了,而之后的婚姻生活都只是苟延残喘而已。加布里埃尔和简的编辑私奔了。尽管之后,加布里埃尔还是回到了简的身边,但是一切都不一样了。
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Jérôme Dassier
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Anna, hoping to escape from the disturbing past and find peace, escapes to a secluded mountain chalet. But the old life catches up with her even here. The house is bugged, which means Anna will have to return to her former life as an intelligence agent.
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Darya Perelay
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This story is about a musician, Natalie, who moves to a big city and tries her luck at becoming famous. And here she finds not only a great opportunity for her career, but also a new love with another girl, Anna. They two are very different: one poor, the other one is rich, one of them writes music and sings, the other one cannot hear or speak… They are united by love for each other, but their own fears stand in the way of their happiness. They both go through doubts and pain. When they finally find courage in their hearts, it seems like it's too late… But does true love have time limits? HISTORY The proposed film is based on short film “I LOVE HER” (2013). The film participated in such film festivals as: Frameline39, San Francisco International LGBTQ Film Festival, MIX COPENHAGEN, Festival International Entr'2 Marches (Cannes film festival), Boston LGBT Film Festival, The Barcelona International LGTIB Film Festival. // The film also participated in film festivals held in Madrid, Paris, Seattle, Boston, London, Hamburg. In whole the film participated in 28 film festivals of 12 countries (France,USA, Canada, Switzerland, Germany, Serbia, Latin America, Turkey) and 3 continents (Europe, America, Asia).
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Gelila Bekele,Armani Ortiz
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An intimate portrait of Tyler Perry and his harrowing but faithful road to the top of an industry that didn't always include him.
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武克·伦古洛夫-克洛茨
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Within the space of 24 hours, Feña is swept through the extremes of human emotion, when people who seemed to disappear when he transitioned are suddenly back in his life. What counts are not just the things that change, but also those that stay the same.






























