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Steven Goldmann
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Based on the popular Imperium Comics series, Trailer Park of Terror. Six troubled high school students and their chaperon, an optimistic youth ministries Pastor, return from an outdoor character building retreat in the mountains. During a raging storm, their bus crashes, hopelessly stranding them in the middle of the Trucker's Triangle, a forgotten locus of consummate evil in the middle of nowhere. The hapless group seeks shelter for the night in a seemingly abandoned trailer park they find down the road. However, when the sun sets, it's not refuge they find. Instead, terror finds them in the form of Norma, a damned redneck reaper with a killer body who dispenses vengeance and death aided by her cursed companions, a bloodthirsty brood of Undead trailer trash. Written by Anonymous
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阿扎泽·雅各布斯
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编剧兼导演阿扎泽·雅各布斯（《法式出口》、《那些爱人》）执导了这部苦乐参半且趣味横生的故事，讲述了一位年迈的家长和三个成年女儿在他生命的最后几天陪伴在他身边的故事。凯蒂（凯莉·库恩饰）是一位控制欲极强的布鲁克林母亲，每日忙于应对处于青春期的叛逆女儿；自由奔放的克里斯蒂娜（伊丽莎白·奥尔森饰）是一位与众不同的母亲，这是她首次与孩子分开；瑞秋（娜塔莎·雷昂饰）是一名体育博彩瘾君子，从未离开过父亲的公寓 — 这令她同父异母的姐姐们非常恼火，因为她们有着不同的母亲和世界观。在三姐妹的日常相处中，雅各布斯继续敏锐地探索亲密空间中的家庭动态，在三天动荡的日子里，在死亡阴影下，怨恨爆发，爱从支离破碎的家庭中渗透出来。
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梅根·帕克
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The summer before college, bright-yet-irreverent Elliott comes face-to-face with her older self during a mushroom trip. The encounter spurs a funny and heartfelt journey of self-discovery and first love as Elliott prepares to leave her childhood home. Writer-director Megan Park’s tender, surprising sophomore feature cleverly uses its high-concept premise of a visit from one’s future self to launch a refreshing, nuanced exploration of the uncertainties of young romance and coming of age. My Old Ass is a sweet teenage love story, a lively contemporary comedy, and a quirky riff on time-travel films all in one. Maisy Stella and Aubrey Plaza have a terrific unlikely chemistry, as the sass and self-assuredness of the young Elliott, as played by Stella, blends and overlaps with Plaza’s sardonic humor as a more mature Elliott. The care and affection shown in the film’s depiction of Elliott’s rural hometown in her last days before taking off for adulthood visually highlights her emotional journey, evoking a nostalgia for days that haven’t even ended yet.—HZ
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Camila Urrutia
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Claudia and Maria, roam the streets of the city of Guatemala. Claudia works at a call center and is uninterested in the world around her. She lives with her activist grandfather, who tries to persuade her to join his cause. Maria unlike Claudia, is more spontaneous and lives with her mother in the outskirts of the city. The chaotic streets are filled with common stories of abuse, unforgiving police officers, and charming secret corners. Everything changes one night when they are attacked by three men. Although they manage to escape, Claudia is faced with the dilemma of choosing revenge or listening to her grandfather’s advice.
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Andrés Peyrot
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内详
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The Search for a lost film from the 70s takes a young man from one of South America's largest indigenous communities on an existential journey in a post-colonial film about the right to one's own image. In the 1970s, Oscar-winning French documentary filmmaker Pierre-Dominique Gaisseau moved with his family to Panama to make a film about the Kuna community, one of South America’s largest indigenous peoples. He promised them that they would see it, but for various reasons, production stalled and the film (with the working title ‘God is a Woman’) was never completed. But what happened to the unfinished film reels? That’s what young Arysteides Turpana, on the mandate of the Kuna elders, sets out to find out. His journey takes him to France, but gaining access to the dusty film reels is not easy. Following in his footsteps is Swiss-Panamanian director Andrés Peyrot, who has created one of the year’s biggest festival successes since its premiere at the Venice Film Festival. A film that manages to turn abstract questions about the right to own one’s own image and narrative into a relevant and existential necessity.
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Marcus Koch
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Trapped in the padded white room of an abandoned asylum, a helpless man awakens, only to find himself chained down to a medical chair. There, a demented surgeon and his equally deranged assistant embark on a seemingly endless series of chirurgical tortures, unlocking new levels of pain and suffering, one excruciating procedure after another. Intent on harvesting the captive's endorphin-infused blood, the maniacal doctor mutilates the feeble flesh and breaks the naked bones, until the phial is filled with the life-giving substance. However, in this hellish purgatory of anguish and torment, the man finds the strength to cling to hope, as he keeps finding hand-written notes in his grim cell. Could there be another tormented patient in this nightmarish facility? Is there an escape from the never-ending agony?
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Henry Bean
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From the creators of "The Believer", winner of the 2001 Sundance Grand Jury Prize, comes a black comedy about a man caught in the most impossible of conundrums: in love with his hometown, New York City, but driven mad by its noise. Transforming himself into "The Rectifier", David takes on everyone from the schmuck who ignores his own car alarm to the city's most powerful citizen, the Mayor. As his daring grows, New Yorkers rally behind him inspiring David to win this fight by the most ingenious of schemes.
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弗朗索瓦·阿洛,埃尔韦·德·克雷西
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这部影片仅有20分钟，可以说是一部微电影。据称为了这部影片，育碧公司为其投入了1亿美金，用于作为其游戏的前传进行宣传。剧中，4位幽灵小队成员，深入俄罗斯腹地，为了破坏一起武器交易，并同时刺杀其中的恐怖组织核心成员。行动按照原定计划，有条不紊地实施着。不过，当完成刺杀后在进行战场检查时，却发现这次的武器交易的武器是一套拥有极高杀伤能力的核弹头。而且弹头处于保险打开的状态，随时都可能被引爆。为了排除眼前的危机，幽灵小队临时决定在现场手动完成核弹头的拆卸工作。可是，拆卸工作并没有想象中的那么简单，由于需要破解发射程序，所以需要花费不少时间。这时，一对拥有高科技战斗装备的小队出现，一场恶战就此展开。