George-Christoph Bil

　　“The Silence before Bach” is an approach to music and the trades and subjects that @帅哥大鸟@surround it through Bach’s works.　　A look at the profound dramaturgic relationship between image and music where the latter is not merely conceived as subsidiary to the image but as a subject of the narration in its own right.　　The film springs from a prev@苏安静@iously defined musical structure.  The soundtrack feeds on works by J.S Bach and two of Felix Mendelssohn’s sonatas to create an architectural vault beneath which the story of the film unfolds ; a promenade t@波多野结字衣中文字幕@hrough the XVIIIth, XIXth and XXIth centuries led by the hand of J.S. Bach.